![Spectralayers 8 pro](https://cdn2.cdnme.se/5447227/9-3/16_64e61dfc9606ee7f98e9879e.png)
To extract noise, paint with your mouse where only noise occurs and then apply the Extract/Noise tool across the entire time and frequency ranges of the clip. You can also extract a single frequency and, optionally, all of its harmonics to a discrete layer this is how you’d extract a single bass-guitar note from a full mix. The original clip remains intact in its layer. You can create another (empty) layer, make it active and use editing tools to transfer (extract, in SLP parlance) a band- and time-limited snippet of content from the full clip to it. When you import an audio clip into SLP, it appears in a new layer. The stand-alone program (not available as a plug-in) shows your imported audio in an auto-scrolling spectrogram having time (horizontal) and frequency (vertical) axes (see figure).
![spectralayers 8 pro spectralayers 8 pro](https://1.bp.blogspot.com/-d1OqyqnkGcM/YP_U_sbUxmI/AAAAAAAABeA/di7Agb-QZwINKJy6MTYb0UN32k--q8FZQCLcBGAsYHQ/w1200-h630-p-k-no-nu/Steinberg%2BSpectraLayers%2BPro%2B8.0.0%2BFull%2BVersion%2BWindows%2BMacOS.png)
Using an 8-core Mac Pro running OS X 10.8.2, I tested SpectraLayers Pro Version 1.0.21 in restoration, sound design and remastering applications.
![spectralayers 8 pro spectralayers 8 pro](https://truevst.com/wp-content/uploads/2021/06/steinberg-spectralayers-pro-8.0-crack-Free-768x445.jpg)
SpectraLayers Pro lets you extract in turn the various embedded elements of a mono or stereo audio file, transfer each component to a discrete layer (a track synced to the original audio) and process the layers independently to create an entirely new mix of the material. This zoomed view shows a 65Hz tone (red blotches) added to kick-drum hits in a previously archived master. SpectraLayers Pro displays and edits audio in a spectrogram.
![Spectralayers 8 pro](https://cdn2.cdnme.se/5447227/9-3/16_64e61dfc9606ee7f98e9879e.png)